The Glass Menagerie - Escape Theme Essays - English-language Films

The Glass Menagerie - Escape Theme "The Glass Menagerie" is set in the apartment of the Wingfield family. By description, it is a cramped, dinghy place, not unlike a jail cell. It is one of many such apartments in the neighborhood. Of the Wingfield family members, none of them want to live there. Poverty is what traps them in their humble abode. The escape from this lifestyle, this apartment and these relationships is a significant theme throughout the play. These escapes may be related to the fire escape, the dance hall, the absent Mr. Wingfield and Tom's inevitable departure. The play opens with Tom addressing the audience from the fire escape. This entrance into the apartment provides a different purpose for each of the characters. Overall, it is a symbol of the passage from freedom to being trapped in a life of desperation. The fire escape allows Tom the opportunity to get out of the apartment and away from his nagging mother. Amanda sees the fire escape as an opportunity for gentleman callers to enter their lives. Laura's view is different from her mother and her brother. Her escape seems to be hiding inside the apartment, not out. The fire escape separates reality and the unknown. Across the street from the Wingfield apartment is the Paradise Dance Hall. Just the name of the place is a total anomaly in the story. Life with the Wingfields is as far from paradise as it could possibly be. Laura appears to find solace in playing the same records over and over again, day after day. Perhaps the music floating up to the apartment from the dance hall is supposed to be her escape which she just can't take. The music from the dance hall often provides the background music for certain scenes, The Glass Menagerie playing quite frequently. With war ever-present in the background, the dance hall is the last chance for paradise. Mr. Wingfield, the absent father of Tom and Laura and husband to the shrewish Amanda, is referred to often throughout the story. He is the ultimate symbol of escape. This is because he has managed to remove himself from the desperate situation that the rest of his family are still living in. His picture is featured prominently on the wall as a constant reminder of better times and days gone by. Amanda always makes disparaging remarks about her missing husband, yet lets his picture remain. Tom always makes jokes about his dad, and how he "fell in love with long distances." This is his attempt to ease the pain of abandonment by turning it into something humorous. It is inevitable that the thing which Tom resents most in his father is exactly what Tom himself will carry out in the end...escape! Through his father, Tom has seen that escape is possible, and though he is hesitant to leave his sister and even his mother behind, he is being driven to it. Tom escapes reality in many different ways. The first and most obvious is the fire escape that leads him away from his desolate home. Another would be the movies that Amanda is always nagging him about. She thinks he spends too much time watching movies and that he should work harder and find a suitable companion for Laura. The more Amanda nags, the more Tom needs his movie escapes. They take him to another world for a while, where mothers and sisters and runaway fathers do not exist. As the strain gets worse, the movie watching becomes more frequent, as does Tom's drinking. It is getting harder and harder for Tom to avoid real life. The time for a real departure is fast approaching. Amanda eventually pushes him over the edge, almost forcing him out, but not without laying overpowering guild trips on him. Tom leaves, but his going away is not the escape that he craved for so long. The guilt of abandoning Laura is overwhelming. He cannot seem to get over it. Everything he sees is a reminder of her. Tom is now truly following in the footsteps of his father. Too late, he is realizing that leaving is not an escape at all, but a path of even more powerful desperation.